Five: Tokyo Blossom

There are some products that get a hard time from bartenders. Whenever they're mentioned in conversation, we wrinkle our noses and shake our heads for whatever reason, if we've given it enough thought to come up with a reason. Take - for example - Midori. The fact that it was launched in Studio 54 at the Saturday Night Fever wrap party in 1978 has left the liqueur with a cheesy disco tag it may never shake off, and its popularity among young girls with a sweet tooth and drinkers of the saccharine, unbalanced, fruit concoctions the 80's were famed for are not helping its reputation with old-school cocktail revivalists. Midori does a couple of things very well. It brings an instant hit of fruit to a drink, along with a stand-out colour and a good degree of sweetness. These can all be helpful characteristics, so long as they're not allowed to overpower the whole drink. It might have an image problem, but Midori can be a useful ingredient when it comes to start thinking about summer cocktails.

Tokyo Blossom

30ml Absolut Citron
15ml Midori
5ml Kwai Feh lychee liqueur
30ml White Grape juice

Stir all ingredients with ice. Snap an orange zest over the top, but don't drop it in. Garnish with a cherry.

Four: a Barbore Martini

There are a number of things I want to talk about.

1. Angus Winchester has promised a bottle of Tanqueray No. Ten and a book from his extensive library of vintage and modern mixellany to the inventor of the drink named as the official Martini of Barbore. This is madness. I am, of course, totally there.
2. Tea. A liking of tea is culturally hardwired into anyone who lives in the UK for more than six months. But there's way more to it than the bags of gunpowder routinely sweetened and enmilked in mugs across the land.

On the first, I really don't need a lot of encouragement to play around with Martini variations. I'm on the record saying that I think the Martini is a great drink but the current fashionable serve - vodka with next-to-no vermouth and no bitters - is hard work. So, honestly, the mere possibility of more cocktail reading and free gin (free gin!) is another carrot.

On the second, tea is really gaining some traction as an ingredient in mixed drinks. Any unbelievers should check out Charlotte Voisey's presentation on the theme from Tales of the Cocktail 2008. Different teas cover a wide spectrum from airy and floral to dark and pungent, and can be used to compliment a range of spirits and flavours.

There's a subtle coming together of themes on the way.

Basically, I wanted to use some white tea to compliment the camomile and citrus notes of Tanqueray No. Ten. To break it down to the most basic level, tea comes in three ways: black tea, where the leaves are left to fully oxidise; green tea, where the leaves are partially oxidised; and white tea, where the leaves are prevented from oxidising. According to Wikipedia - home of facts - the best examples of the highest grade white teas are said to be picked from undamaged and unopened buds in China's Fujian province between March 15 and April 10. When it's not raining. Curiously, white tea doesn't seem to be as popular worldwide as green, black tea or oolong. The next step was to find a way to infuse the tea flavour into the cocktail.

Rather than just adding x-ml of traditionally made white tea into a mixing glass, I decided to make a more concentrated infusion - soaking two bags in 150ml of vodka (I used Absolut, being the only plain vodka I had lying around) with a vanilla pod over a low heat for about three minutes. When I say low, I mean flames barely visible on the hob. The last thing you want to do with a spirit infusion is start another fractional distillation. With that done, I played things pretty traditionally. Being a martini for cocktail geeks, I've paid special attention to things like the starting temperature of ingredients and the specific amount of time they should be stirred for. Not because I particularly wanted to, but everyone else has...

A Barbore Martini

60ml Tanqueray No. Ten (at room temperature)
10ml Punt E Mes (from the fridge)
15ml White Tea infusion (from the fridge)
1 drop Angostura Aromatic Bitters

First, stick a small martini glass or a coupette in the freezer. Stir all the ingredients with ice in a standard mixing glass until it frosts over. Fine-strain into the chilled glass and snap a grapefruit zest twist over the top - don't drop it in!

Three: Coco Arándito

Last Thursday I was lucky enough to be competing in the Scottish regional of the Gin component of Diageo's World Class competition, which involved spending the afternoon in the shiny surrounds of Hawke & Hunter. 'Course, when you get a bunch of bartenders in one place, there's only one thing we talk about and one topic stuck in my mind. Someone had mentioned that most bartenders tend to resort to similar drinks when they get asked to make something on the fly. I have a tendency for subbing ingredients into a standard Cosmo recipe (see last week's Bloomsbury Cosmo, for example), so I decided to branch out, leading to this little creation. It's a simple twist on a Mojito.

Coco Arándito

50ml Koko Kanu
25ml lime juice
2 barspoons vanilla sugar
8 mint leaves

Muddle mint, sugar and lime juice in the base of a highball glass. Add the Koko Kanu, fill with crushed ice and mix well. Top up the crushed ice and float 25ml cranberry juice. Garnish with a mint sprig and lime wedge.

Two: Bloomsbury Cosmo

I've been kicking around some ideas ahead of Thursday's regional for the Diageo World Class competition. The heat could involve presenting up to three different drinks, including one classic or twisted classic gin cocktail. I'm not sure if this one is right for the comp, but y'know, still tasty.

Bloomsbury Cosmopolitan

40ml Tanqueray Gin
10ml Elderflower cordial
30ml Cranberry juice
15ml Lime juice
1 dash Fee Brothers Orange Bitters

Shake all ingredients with ice and fine-strain into a chilled martini glass. Garnish with a flamed orange zest.

One: Homecoming cocktail

It seems that I thought it would be a good idea to post a new cocktail recipe every week through 2009, which is what happens when you leave me in a room with a bottle of 10 Cane. So, without any further ado, I present the first of the fifty-two. 2009 marks the 250th anniversary of the birth of Robert Burns, a man who would, over 37 short years, come to embody Scottish literature. Moving between rural Ayrshire and Edinburgh high society, Burns became a major celebrity - his intemperate ways helped him to premature aging and an early grave which is about as rock'n'roll as you can get before Rolls Royces and swimming pools were invented.

Every year, Scots celebrate January 25th the same way - with a dinner for Burns Night. There are toasts to the poet's immortal memory, the Selkirk Grace, even an address to a haggis. In addition to the traditional celebration, the Scottish Government has launched Homecoming 2009, a series of events aimed at attracting people with Scottish ancestry to visit the country. The fun kicks off on Burns night and, over the course of the year, will cover events like the Edinburgh International Festival, the Heineken Cup Final and the Royal Highland Show. One thing that isn't included in the calendar is, of course, anything cocktail-related.

See that? Smooth.

There are a decent clutch of contenders for a Burns night cocktail. You could go for a Rob Roy, or a Whisky Mac or Rusty Nail could be in with a shout. Then again, there's always the Bobby Burns, detailed in the Savoy Cocktail Book, a blend of Scotch, sweet vermouth and Benedictine. It's a good starting place and a great drink, so I haven't made any huge changes to it. The major change is that I decided to use Drambuie instead of Benedictine, mainly because it's Scottish and it fits the idea of the drink. There's a bonus given that as a whisky-based liqueur, it blends well with pretty much any Scotch as well as bringing a bunch of interesting floral and spicy flavours. On top of that, I decided to push the boat out and use a single malt for the whisky. I had wanted to use Auchentoshan - a Lowland malt - purely because it's made closer to where Burns grew up than most others, but it's also triple-distilled and unpeated and didn't come through against the Drambuie. In the end, I went for a 12 year-old Bowmore, kinda smoky and a bit peaty, but nowhere near as full on as some other Islay malts. Finally, I lobbed in a couple of dashes of Fee Brothers Peach Bitters. It's not a hugely exciting recipe, but it is a tasty drink and at least it's a start.

Only fifty-one to go...

Homecoming Cocktail

40ml blended Scotch Whisky (I used Johnnie Walker Black Label)
15ml Drambuie
25ml sweet vermouth (Martini Rosso)
2 dashes Peach Bitters

Stir all ingredients with ice and strain into an ice-filled Rocks glass. Garnish with an orange zest twist. It doesn't have to be as mental as the one in the photo.