Workshop, pt. 2: the rules

In any competition, there are rules, and the Legacy competition is no different. Some of them are obvious:

4. Bacardi Superior Rum must be the dominant spirit ingredient.

5. All cocktails should contain no other competitor rum brand.

These aren't at all surprising - after all, the competition is to provide a drink for the Bacardi Legacy book. There's also a number of rules relating to the format of the comp and things like the copyright of the drink (any entered drinks essentially become part of Bacardi's IP, with accreditation "wherever possible") which are pretty standard too. There are two rules that stand out; they're the ones which are going make my life a lot harder.

7. All cocktails should use commonly available ingredients.

This isn't unexpected but it is annoying, mainly because there's no guidance given on what constitutes "commonly available". I always take it to mean if a bar can't get an ingredient from a supplier, they should be able to get it from a shop, which means no interesting fruits that are only available in one store, in one town.

8. Cocktails with house specific ingredients will not be eligible unless these are easily made and a full recipe is included.

Well, that's helpful. The phrase "easily made" is so ambiguous as to be entirely useless. One of the cocktails (Ben Carlotto's The Lady Wears Red) in the first edition of the Legacy book contains homemade bitters, so that would seem to set the benchmark.

Right now, I'm wondering if my homemade Grapefrucello is eligible, but I suspect it won't be. So, next step? I'm going shopping.

MxMo: Guilty Pleasures

Mixology Monday is monthly celebration of all things cocktailian, hosted by a different member of the global drink-blogging community. This month, Stevi at Two at the Most (thanks for hosting!) invited us to share our Guilty Pleasures. The thing is, I'd already shared one of my shameful favourites in public... I remember the first cocktail competition I ever entered. It was a round of the late, great Spiritual Scotland series that ran for a couple of summers in Edinburgh a few years back. Each round would have a brand sponsor who would bring a number of products with them to provide the basis for a mystery bag comp. Competitors would face off in pair, with each pair drawing a card that told them their base ingredient (from the sponsor's selection, of course) and each bartender drawing a second card that contained a list of ingredients, two of which had to be used in the drink. You'd then be given five minutes or so to come up with your drink, and then you'd present it to the judges and the massed ranks of the Capital's bar staff head-to-head against the other guy in your pairing.

My base ingredient was to be Louis Royer Cognac. I think it was the XO, but honestly I forget. All things considered, the grade of Cognac I used turned out to be almost entirely irrelevant. Why? Because of the secondary ingredients I drew, I picked Cointreau (fair enough) and Mango Sorbet.

A bit of background may be necessary. I used to work in a cinema, and spent a decent amount of time on the Haagen-Dazs stand. One of the things we offered were milkshakes but if someone selected a sorbet, we'd suggest making it with lemonade instead of milk.

I assume my thought-process went a little something like this: sorbet/lemonade shakes are awesome. Cognac, too, is awesome. What, therefore, could be more awesome than a sorbet/lemonade shake with Cognc in it?

The answer was, as it turns out, every other drink in the competition. My drink was one of the more popular drinks made that afternoon, it just scored horrendously poorly on every criteria a competition drink is marked on. There was no driving idea behind the drink. It tasted good, but the base ingredient was lost, and my justification for choosing ingredients was based on how well they'd go with mango sorbet, not the sponsor's Cognac.

As another Mixology Monday rolls around, I'd love to recreate the King Louis Spider, but I'm all out of mango sorbet. Instead, I'm going to raise a rum-and-coke float to that summer's day back in 2006 when Edinburgh's cocktail scene learned that a brandy and mango sorbet shake wasn't ever going to win a comp, but damn if it didn't taste good.

King Louis Spyder

37.5ml Louis Royer VS (really, no need for the good stuff)
25ml Cointreau
1 scoop mango sorbet
75ml dash lemonade

Shake Cognac, Cointreau and sorbet vigorously without ice. Add lemonade to the shaker and stir until all lumps have dissolved - a stick-style milkshake blender works really well here. Serve in a goblet with the biggest orange zest twist you can find.

Rum & Coke Float

In a large glass (a pint glass is ideal) add:
A large measure of rum (I'm enjoying Havana Club Especial tonight)
A large scoop of Vanilla ice cream; and top up with Coke. Add spoon and enjoy.

Workshop pt. 1: the what

Two things are rattling around my head as I write this. The first is Bacardi's 2008 Legacy Cocktail competition, with a shot at 10 month stint as a de-facto ambassador for both Bacardi and your own cocktail. The second is Wired's fairly awesome Storyboard blog, which followed a feature article for the magazine from conception to completion. The deadline for entries for the Legacy comp is October 16th 2008 - one week from now (a little under, if you're being picky) - and I'm going to use it as an opportunity to look at how I go about creating a new drink.There are, of course, rules to the competition. I'll cover them in more depth in the next part, but the key regulation is that the final drink must use Bacardi Superior Rum as its base ingredient. This is not unexpected. On the downside, Bacardi Superior - or Carta Blanca, call it what you will - has a bit of a reputation.

It's not that it's thought of as a bad rum (although I do remember hearing it described as a "rum-flavoured vodka" by a brand ambassador from a rival), it's more that there are other rums that are considered "better". There's a comparative tasting of white rums at Scottes' Rum Pages which uses it as a base against which the others are judged. It doesn't fare well.

All in all, the Bacardi surprised me by being better than expected. This certainly wasn’t a great rum - even calling it good would be a compliment. But it was better than I expected.

Honestly, I think the bad press that Carta Blanca gets isn't entirely deserved. I agree that there are more flavourful white rums out there, but for me, white rum isn't about big flavours. If you want complexity, leave it in the barrel and the hell away from the charcoal filters. Bacardi Superior, for better or worse, embodies the idea of a light, uncomplicated, charcoal-filtered spirit distilled from molasses. Whether it's the best embodiment of that idea is a discussion for a different day.

It's also irrelevant in this context. After all, the rules are the rules. Even if I hated Bacardi Superior, I'd be stuck with it, and the sentence "I'd much rather use Brand X instead, but hey, whatever," isn't one you want to say in a competition. On the upside, I had been lucky enough to do some training with Ian McLaren, Training and Mixology Manager at Bacardi UK (you can see his contribution to the first edition of the Legacy Cocktail book here). On what? Helpfully enough, we did an whole afternoon on Bacardi Superior.

There are things that everybody knows about Bacardi. The distillery was founded in 1862 by Don Facundo Bacardi Y Masso, formerly an importer of brandy and wine from Spain. Thirty years later, his rum was credited with saving the life of the Spanish king, and in October 1960, the company made its escape from Castro when troops raided the Edificio Bacardi - its headquarters in Havana - instead of the distillery where all the important stuff was. Then there's the thing that aren't so well known. For one, Bacardi Superior is barrel-aged for at least 12 months. And there's more: it's made from two distillates, each undergoing separate fermentation and distillation processes, and the colour removal that comes from charcoal filtration isn't or at least wasn't, initially, intentional.

The key to Bacardi's rums is that split-production process; the two distillates, known as the aguardiente and the redistilado are very different in character. The former is heavier, more pungent, coming off the still in the ballpark of 80% ABV. The latter is much lighter with some interesting floral and citrus notes, and is column-distilled five times. In something like the Bacardi 8 year old they combine to devastating effect, creating a rum that is still recognisably Cuban/Spanish in style but that also has some of the depth of flavour found in an English style rum. Unfortunately, the effect isn't as pronounced in the Carta Blanca, but maybe there's enough in there to work with.

Blatant post-project rationalization

So, having made a bottle of Grapefrucello, I'm now trying to find a use for it. Handily, I was holding a cocktail training session at work this afternoon and co-opted some of the staff into giving me a hand. Here's what we came up with:

Niccolò Martini
40ml 42 Below Passionfruit Vodka
20ml Grapefrucello
15ml Martini Extra Dry Vermouth
1 dash Campari

Stir all ingredients with ice and fine-strain into a chilled martini glass. Garnish with an orange zest twist.

Papa Ain't Comin' Home

25ml Appleton's V/X Rum
25ml Grapefrucello
20ml Lemon Juice
2 dashes Angostura Orange Bitters
1 dash egg white

Shake all ingredients with ice and fine-strain into a chilled martini glass. Garnish with a lemon zest twist.

Copperbottom Fizz

25ml Tanqueray Gin
20ml Grapefrucello
10ml Pimm's No. 1
20ml Lemon Juice
10ml Cranberry Juice

Build with cubed ice in a highball glass. Garnish with a lemon wedge.

Here's one I made earlier

A couple of weeks ago, I put a plan into motion. A plan so momentous it would spell the end of civilisation as we know it. Of course, by "civilisation as we know it", I mean three grapefruits and a bottle of vodka. The plan was best described as basic: Strip the peel off the grapefruits? Check. Soak in 40% ABV vodka (I used Finlandia) for two weeks? Check. Shake every couple of days? Check. Strain out the grapefruit peel? Check. Add simple syrup to make up a third of the total volume? Check. Leave in the fridge for a week to marry? Big ol' check.

So, three weeks after the start of this groundbreaking project, I humbly present ednbrg's Finest Grapefrucello! It's got a lovely translucent golden honey colour to it, with a smooth, syrupy mouthfeel. On the tongue, it's fairly uncomplicated - it tastes of grapefruit and that's about it - which is to be expected, I guess. Being a first attempt there are a couple of things I'm unhappy with. For one, there's a bit of a burn from the alcohol coming through when the liqueur warms up, and the flavour doesn't seems to finish rather more quickly than I'd anticipated (though that could be a thing that happens with grapefruit?). But, as my maiden voyage into the world of home-made liqueurs and syrups, I'm pretty damn happy with it.

Coincidentally, I'm heading into work to do some cocktail training so hopefully I'll have a couple of recipes to share later on.