Twenty Four & Twenty Five: Colisão & Plantação

silver-bottle.jpg

I've been thinking a lot about cachaca recently. This is not unconnected to receiving a couple of samples from Anthony at Abelha Cachaca the other day. It might be the third most popular spirit in the world, but cachaca is in pretty similar position to that of vodka in the 1950s/60s - there is a global awareness of the product, but the majority of the spirit produced is not exported and it hasn't quite hit the mainstream in the export markets yet. Wikipedia suggests that only 1% of the 1.3 billion litres of cachaca produced annually are exported. While the availability of cachaca outside of Brazil is on the increase, we're still at the stage where there are only a handful of notable brands - Sagatiba, Germana, Ypioca, to name three. This is probably an excellent time to launch an organic, artesanal brand into the UK market. But I tend to be pretty busy most days, what with the working and the not working and the sleeping and the not going to Tales of the Cocktail, so it's helpful that Abelha have been bringing some over for a couple of months now. Both expressions are small batch, artesanal (pot-distilled, as opposed to the column distilled "industrial" style) cachacas - the Silver is unaged while the Gold is aged for three years in small (250ltr) Brazillian hardwood barrels.

I'll write about the Gold in more depth tomorrow, but I was completely blown away by the Silver. On the nose it has those familiar vegetal notes that come with cachacas and rhums agricole, but it also has a pleasant honey scent with a touch of citrus to it. The mouth feel is great - a slightly viscous texture, with a strong finish but without chemical burn of column-still spirit. Esquire just listed Abelha as one of its top three cachacas, but I'm not sure if you need the other two.

Unfortunately, the sampler I got wasn't big enough to try in some spirit/mixer combos, but there was just enough to make up a couple of cocktails.

The first thing I did was based around the other classic cachaca cocktail, the Batida. It's the Caipirinha's longer, more laid back cousin and totally deserving of some of the love thrown at the little peasant drink. I ended up crossbreeding it with a Smash, with the intention of coming up with something fruity for summer.

Colisão

45ml Abelha Silver Cachaca
25ml freshly squeezed red grapefruit juice
25ml pineapple juice
6-8 mint leaves

Shake all the ingredients with ice and strain into an old-fashioned/rocks glass over crushed ice. Feel free to add a touch of gomme/simple syrup into the shaker to taste. Garnish with a grapefruit slice and a mint sprig.

After that, I decided to go old-school. Cachaca tends to be used in caipirinhas and long punch-style drinks and not a lot else, but the Abelha Silver struck me as something that would work really well as an alternative to a white rum. So, I went with a simple mod of a daiquiri.

Plantação

50ml Abelha Silver Cachaca
25ml freshly squeezed lime juice
10ml sugar cane syrup
1 barspoon Maraschino

Shake all ingredients with ice and fine-strain into a chilled martini/coupette glass. Twist a lime zest over the top and discard. Garnish with a cocktail cherry.

And tomorrow? Tomorrow, I'm getting to know the Abelha Gold.

Happy birthday America!

It's been 233 years since the bouncing baby United States of America declared its independence from the United Kingdom, and it's been thirteen years since a hardy band of patriots led by no less than the US President repelled the alien invaders intent on exterminating mankind. If that's not worth celebrating, then seriously, nothing is.

There are an actual ton of recipes kicking around to mark the occasion, which is handy because I haven't had a lot of time to put one together myself. The one that caught my eye is Jonathan Pogash's American Collins (or Red, White & Blue Collins).

American Collins

45ml Bombay Sapphire
25ml simple syrup
15ml lemon juice 4 pitted Bing cherries
8 blueberries

Muddle the blueberries and cherries with the syrup and the lemon juice. Add the gin with ice and stir briefly. Top with club soda.

*** 

Whatever you're drinking today, raise a glass to Uncle Sam. No, not the cantankerous old sod who lives in your basement. The mythologised personification of the American Spirit.

Yes, the creepy thin old man with the starey eyes. That Uncle Sam.

Twenty Three: Reina Amargo

We are on the edge of a great moment in British history. We are in sight of the point at which the great British public see tequila as something other than a shot or a frozen margarita. My friends, the road to that point will be long and hard, but with courage, strength and resolve, we can make this dream our new reality.

Reina Amargo

50ml José Cuervo Tradicional
25ml lime juice
1 barspoon Campari
2 barspoons honey

Shake all ingredients with ice and fine-strain into chilled martini glass. 

Adventures in space, time and vodka

Here's a thought.

Cocktails destroy good spirits.

It's not my thought. It belongs to a man named Börje Karlsson, one of the master blenders involved with a new Swedish vodka called Karlsson's Gold (rated B+ by Drinkhacker!), in an article in the Washington Post. It's an interesting thought, not least because it comes from a vodka producer and vodka, well vodka is a bit troublesome.

NO COCKTAILS?... by Metro Centric, licenced under Creative Commons.

Imagine we've got a time machine, and rather than using it to buy last week's winning lottery ticket, we travel back to somewhere near the sixteenth century, somewhere in Eastern Europe, where the bouncing baby vodka tradition has just started walking and saying its first unintelligble words. Assuming that no-one burns us as witches on account of our strange fashions and bizarre future talk, we'll find a spirit that has mostly slipped past its origin as a medicinal elixir and is gaining popularity among the masses, flavored with herbs, honey and berries, and among the aristocracy who compete to create the purest liquid from their state-of-the-art pot stills. Skip forward a few hundred years and we'll find this spirit embedded in the culture, adding punctuation to any event, from weddings to birthdays to funerals and everything in between. Vodka becomes the lifeblood of the community, used and abused by the powers that be as something approaching a rum ration for an entire empire through the middle part of the twentieth century.

We should take in a little context. Travelling back to 15-whatever, when Western Europe raises a glass, it's likely to be brandy. The Scots and the Irish have started doing remarkable things with malted barley, but they're probably a good fifty/hundred years off hiding their distilleries at the end of obscure valleys in the most innovative and insane tax dodge ever. The Dutch have, by now, discovered a wonderful little berry that can transform a distilled spirit, but they'll have to wait until the eighteenth century for it to blaze through English society and emerge, smouldering, on the other side as something we'd recognise as gin. Over the next five hundred years, the various spirits of Western Europe will have their successes and failures. Cognac will emerge as the upper classes' drink of choice, only to be decimated by a hungry bug in the second half of the nineteenth century. Taxation, rebellion, famine, war and slavery will a play their part in the respective fortunes of gin, whisky, rum and whiskey, and things will continue in much the same vein until just after the world explodes in rage, hatred and a splatter of atoms.

The second half of the twentieth century sees vodka slowly seeping out from behind the Iron Curtain. It is not an entirely unknown quantity, largely thanks to a man named Smirnov. The right to produce his vodka eventually land with Heublein Inc. in the USA and the rest is, as they say, history.

In 2004, vodka sales surpass those of gin in the UK. In 2007, vodka outsells Scotch whisky. In Scotland.

And so, the trouble with vodka. It's simple, really. Western Europe and America do not have a vodka-drinking tradition. The way in which these cultures drink evolved alongside the spirits that they created and traded and vodka has been slapped onto it like go-faster stripes on the space shuttle. That's not to say that vodka doesn't have a part to play in the community of spirits, it's rather that the integration has been a little forced. The definitive original vodka cocktail remains the Moscow Mule (anyone who's just said "Martini"? Taxis are out front) because, on the whole, it doesn't sit well with structure of mixing drinks that evolved from the era of Jerry Thomas.

Börje Karlsson makes a good point from outside my - our - experience of spirits and cocktails, even if I think he's being a touch hyperbolic. Realising that there's a separation between the various spirit-drinking traditions can only be a good thing, because the really interesting stuff happens in the space between.

Twenty Two: Twice-Shy Negroni

I've been using a bottle of Punt E Mes as my go-to sweet vermouth for a good while now. I'm a big fan of the bitter note it brings to drinks, but I've been predominantly using it as a generic sweet vermouth which has slightly warped my expectations of certain drinks at the bitter end of the scale. Case in point: the Negroni. When I have one in a bar, I can notice the absence of the extra bitterness provided by the Punt E Mes and it takes me an instant to remember that it's my Negronis that are slightly out of whack, not the one I've just bought.

But then it also occurs to me that bitter is a very divisive flavor, and that if I can up the bitter content of a Negroni, surely it's possible to mellow it out a little.

Twice-Shy Negroni

45ml Plymouth Gin
30ml Martini Rosato
4 mint leaves
50ml Campari (in an atomizer)

Give the mint leaves a quick smack to wake them up and place them in the base of a mixing glass. Add the gin and vermouth and stir with ice. Strain into an ice-filled old-fashioned glass. Spray some Campari over the top and garnish with an orange zest and a mint sprig.