Saint-Antoine

So, I was chilling out at work, doing my thing when I got a phone call from Grant Cunningham at Blavod/Luscious Liquid who said there was someone he'd like me to meet. That person turned out to be Paul Bungener who is the UK brand ambassador for FAIR., the producers of the world's first range of Fair Trade spirits and liqueurs. The range consists of the world's first quinoa based vodka along with a Goji berry liqueur and a coffee liqueur, and while they're available in retail (at Harvey Nichols) they haven't entered the on-trade in Edinburgh yet. Since 2010, FAIR. have been sourcing sustainably farmed ingredients - Bolivian quinoa for the vodka, Tibetan Goji berries and Mexican coffee beans for the liqueurs - and shipping them over to Cognac for distillation. The vodka is distilled once through a two-column continuous still, so it has a more distinct flavour than one that's been through a triple- or quadruple-distillation; there's a pleasant peppery note that comes from the quinoa. The Goji berry liqueur has a phenomenal bright red colour; it has an odd, generic red berry flavour - recalling strawberries and raspberries but not directly emulating them. It seems like an ingredient that would work quite well as a bridge between flavours that don't necessarily overlap.

The coffee liqueur really stood out for me. It's a complete change of pace from better known brands like Kahlua or Illyquore - in comparison, they immediately seemed heavier and more cloying. That's not to say that FAIR Café isn't sweet but it comes across as a much more delicate creature, with notes of fresh espresso mingling with some chocolate and Tiramisu.

Fair Trade is one of those ideas that it's hard not to get behind so it's refreshing to see those principles being applied to distilled beverages. It's also refreshing to see that those principles aren't the only compelling reason to pick one of the products - they're at least as good as anything you'll see on an upmarket backbar; in the case of the Café maybe better.

I was lucky enough that Paul left a sample of the FAIR Café to play with before he moved onto his next appointment. Seeing as this is going up on Bastille Day, combined with the fact that FAIR. is based there, Cognac was definitely in my thoughts.

Sainte-Antoine

35ml Merlet Brothers Blend Cognac
15ml FAIR Café
5ml Fernet Branca
10ml Demerara syrup (Fair Trade, of course.)

Stir all ingredients with ice and strain into a chilled cocktail glass. Garnish with a vanilla bean wrapped in an orange zest twist.

(The Bastille - as famously stormed on 14th July 1789 - stood on the Rue Sainte-Antoine.)

Mirrorball

So cocktail masterclasses have become a thing. This isn't news but it turns out it's not a passing craze either. Having been hosting them for birthday or hen (US translation: bachelorette) parties and other groups for a couple of years, I've settled into a pretty standard format. Over the course of two hours or so, we'll do three drinks for everyone in the group - everyone gets a chance to make a drink and then we'll spend some time putting together drinks based on suggestions from the group.

The first round of drinks, though, is usually sitting ready for the guests' arrival. It's a nice welcome and it's usually something with a touch of Champagne or Prosecco, just so the group get a sense that it's a special occasion. If I'm honest, it's usually a Bellini.

The Bellini is a fine drink - it's simple, it's tasty, and from a bar-geek's point of view, it's one of the few drinks that we can attribute to a specific person (one Giuseppe Cipriani, who invented it in Harry's American Bar in Venice in the mid-late 1940s). The only thing about the Bellini is that it's, well, kinda boring.

Part of the appeal of a cocktail masterclass is pulling back the curtain on how you actually make cocktails. For the most part, we don't go into any great depth but guests get enough info to be able to start making drinks at home if they wanted to. While the Bellini is a great tasting drink, there's a sense in which it sets the bar at a really low level: put some peach purée in a glass, top it with Prosecco. Once you realise that's all it takes, it's a little disappointing.

So, for the last couple of classes I've done, I've tried a new drink to say hello with. It needed to retain a sparkling wine element and I needed to keep the flavours on fairly common ground - it's a drink that I'm serving to people before I've had a chance to even talk to them, so I had to be confident that it would be a crowd-pleaser.

Spring is just hitting its stride in the UK, so I looked at flavours that embody that sense of freshness and carry a floral connotation. The obvious one was elderflower - so 2009, but still - and one of it's natural partners is pear. I wanted to keep a string British identity, so gin was the logical choice for a base spirit. I wanted to go for something very l
Iight in character, with strong floral notes. The drink works very well with Greenall's BLOOM and Darnley's View, but the best response I got from a masterclass group was when I used Bombay Sapphire. Part of that could be down to pure and simple brand recognition, but part of me thinks that the simplicity of the drink works well with the simplicity of the gin.

(I feel like I should point out that this is all stuff I did at work; we didn't receive any free stock for it and this drink doesn't come under any brand agreements we have in force. The products I've listed are the ones I chose to try out.)

Mirrorball

10ml Bombay Sapphire Gin
10ml Xante
5ml elderflower cordial
1 dash Peychaud's bitters
Prosecco

Stir the first four ingredients with ice and strain into a chilled flute. Top with Prosecco and garnish with a twist of grapefruit zest.

For me, it's a recipe that does exactly what I want it to and the response so far has been really good. One thing stands out - I'm using the Mirrorball in place of the Bellini in my masterclass presentations and despite not having anything peach-flavoured in it, there's one flavour everybody says they get from it.

Peach.

Secret histories of cities and spirits

Nothing focuses the mind quite like a deadline and deadlines don't care about royal weddings or bank holidays. On top of that, they can be sneaky little buggers and so it turns out that the entry deadline for Bols Genever's Classic Cocktail competition passes on 1st May (UK only, I think) and while I've dabbled with the spirit in the past, I wanted to put new together.

In this case, "new" is a relative term. After all, they called it the Bols Genever Classic Cocktail Competition, so classic gin and genever based drinks were on my mind. I've just invested in a bottle of Campari so Negronis were never far from my thoughts and the New York thing led me to look at the Bronx.

I should probably explain the New York thing.

Famously, New York hasn't always been New York. The town that would become the city that never sleeps was first established by Dutch settlers under the name New Amsterdam at a time when a large number of the ships exploring the possibilities of the New World were flying the flag of the Netherlands. The name changed when the colony of New Netherland - of which New Amsterdam was the capital - was provisionally ceded to the British in 1664, and finally stuck ten years later.

Oh, this is fun. This is the good old days of throwing together random thoughts and providing a tenuous link back to booze.

There's a thematic link here to genever because genever is the New Amsterdam to gin's New York; everyone knows the latter, everyone loves the latter but you don't get to the latter unless you go through the former. No New Amsterdam, no New York. No genever, no gin.

And that's why I was thinking about the Bronx cocktail. But I couldn't let go of that Campari element - after all, if we're thinking about what happens if you give up what turns out to be one of the greatest cities on Earth, there's likely to be some bitterness.

The Stuyvesant

35ml Bols Genever
20ml Campari
25ml freshly squeezed orange juice
25ml freshly squeezed lemon juice
2 barspoons acacia honey (might need less/more depending on the acidity of your lemons and oranges)
10ml egg white

Combine all ingredients in a cocktail shaker and shake without ice to emulsify. Add ice and shake; fine-strain into a chilled cocktail glass.

Garnish with a twist of orange zest.

(Named for Petrus Stuyvesant, the last Director-General of the colony of New Netherland.)

Moving on with Lillet

I stopped by a fairly informal tasting session with Sébastian Martinon of Lillet last week. He was on a flying visit from France and had asked to see somewhere outside of London; Edinburgh's not a bad choice, but I'm pretty biased. (I'm also pretty biased because the tasting took place in the private lounge at Sygn.)

Lillet was founded in 1872 by two brothers who had made themselves a career as wine merchants. Right now, it's probably more famous for what it was rather than what it is - and you can blame James Bond for that.

Three measures of Gordon's, one of vodka, half a measure of Kina Lillet.

This recipe, given to the bartender at the Royale-Les-Eaux casino by 007 in his début, represents something of a dilemma for the cocktail bartender. I've lost count of the number of people who've asked for a "vodka Martini, shaken - not stirred" in the months after the release of a Bond film without really knowing what they were getting themselves into. We, members of the secret brother/sisterhood of bar geeks, would roll our eyes, knowing that Bond didn't drink vodka Martinis. He drank Vespers - and he'd do it alone, because Kina Lillet wasn't available anymore.

The "Kina" refers to quinine, which was the only ingredient other than citrus liqueurs and Bordeaux that I can remember Sébastian referring to through the tasting. When the recipe was reformulated in 1987, the level of quinine was reduced - not completely removed; there's still a pleasant bitterness across the range - and the product was relaunched as Lillet Blanc. It's said to be less bitter and less sweet than Kina Lillet, but I haven't got a frame of reference - I've never tried Kina Lillet and the opportunity to do so seems pretty unlikely if they stopped making it almost a quarter of a century ago.

We tasted three expressions of the aperitif - the Blanc, the Rouge and the 2006 Vintage Jean de Lillet Blanc. They're all made in a similar way, adding a fruit liqueur flavoured with a range of citrus peels, quinine and other, secret aromatics to Bordeaux wine. All three offer a deep citrus flavour with more sweetness than I'd expected and a touch of bitterness, but each also has distinct characteristics that I'd guess are attributable to the wines used. The Blanc is refreshing and light; the Rouge is richer and slightly tannic. The Jean de Lillet is only made when the company's maître de chai comes across a wine good enough to be commemorated. The 2006 vintage we tasted seemed more rounded and slightly more bitter than the Blanc. For anyone who's wondering why it's not in the photo, it proved to be the most popular bottle in the room.

France is Lillet's main market and over there they drink it straight-up, chilled but it's often hard for me not to try something out in a mixed drink. Gin, particularly something juniper- and citrus-heavy like No. 3, seemed like a natural choice, and the recipe wrote itself from there.

Tesseract

35ml No. 3 Gin
25ml Lillet Blanc
1 dash Peychaud's Bitters
20ml lemon juice
10ml sugar syrup (2:1)

Shake all ingredients with ice and fine-strain into a chilled cocktail glass.

Garnish with an orange zest twist.